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- Adobe Premiere Elements Vs Final Cut Pro X For Windows
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If you're looking for a solution to bring your Final Cut Pro X videos into Premiere Pro, this would be it! In the following video, Dan Allen shows you how to convert your FCPX projects for Premiere Pro.
- Video Pro X got a 8.9 score, while Adobe Premiere Pro has a score of 9.5. Likewise, you can compare their general user satisfaction rating: 90% (Video Pro X) against 97% (Adobe Premiere Pro). Remember to select the software that best addresses your most urgent priorities, not the application with a.
- Premiere Pro is the industry-leading video editing software for social sharing, TV, and film. Creative tools, integration with other apps and services, and the power of Adobe Sensei help you craft footage into polished films and videos. And with the Premiere Rush app.
Final Cut Pro XとPremiere Proだと若干購入のシステムが異なる ので比較してみましょう。 Final Cut Pro X. まずFinal Cut Pro Xですがコチラは1回購入すればずっと使える買い切り制。 金額は34800円(2018年9月現在)とそれなり。 購入する際はMacのAppleStoreから購入します。. For software, I'm running OS X 10.10.5, FCP X 10.2.1, and Premiere Pro CC 2015, v2015.0.1. For footage, I've shot a scintillating 2-minute multicam production of a fish tank, with external audio from a Tascam DR-60D, a Blackmagic Cinema Camera and Pocket Cinema Camera shooting ProRes, a Canon EOS M shooting H.264, and intermittent. What you learned: How to Export XML (Extensible Markup Language) files to migrate FCP7 Sequences, Bins and Clips to Adobe Premiere Pro. To Export the entire Project, Click in the Project Tab and go to Edit Menu Deselect All. If individual items are selected in the Project tab, those will be.
Ideally it's always a good idea to start your rough edits in the same application you'll be finish editing with (and maybe use some specialized applications along the way for graphics and color grading). Whenever you bounce between editing apps some things will no doubt get ‘lost in translation'.
That being said, there are instances when you may need to ‘convert' your video editing projects from one app to another. Maybe you've outgrown your more basic editing solution (in this case FCPX) and are in need of a more robust alternative (Premiere Pro). Premiumbeat favorite Dan Allen, shares his workflow for getting Final Cut Pro X projects into Premiere Pro, as well as the pros and cons of this workflow.
FCPX projects will not automatically open up in Premiere. So, to make the conversion you'll need a utility app called Xto7. Intially it was designed to open up Final Cut Pro X projects in Final Cut Pro 7, but it also works with Premiere. The app will set you back $50, but for the pro editor that's making a big switch from FCPX to Premiere it's a small price to pay.
Glyph vs g drive. You can download Xto7 over at the Mac Store.
Although the translation between apps is quick, it certainly isn't fool proof. Titles created in FCPX will not open up in Premiere. Mixed resolution projects will not auto scale to the frame size you have set in Premiere Pro. Also, any 5.1 surround sound mixing you do in FCPX won't carry over (more on this robust audio tool here).
However, these are all pretty small setbacks when you take into account the time it would take to rebuild a FCPX project in Premiere. Plus, you'll now have access to a nice post production workflow, using the tools in Audition and After Effects.
See the Final Cut Pro X to Premiere Pro workflow in action:
It is fairly easy to transfer projects between Adobe Premiere Pro CC and Apple Final Cut Pro X. This article explains how. In fact, if you have a project in Final Cut Pro X, you can also use these instructions to transfer it to:
- Adobe After Effects
- Adobe Audition
- Final Cut Pro 7
- Other tools that use FCP 7 XML in their workflow
NOTE: You can also use the process described below for transferring Premiere projects to transfer FCP 7 projects to FCP X.
But, before explaining How? I need to answer two other important questions: Why? and When?
WHY?
There is nothing inherently wrong or 'bad' about starting an edit on one system, then finishing it on another. However, this transfer needs to be made during the rough cut portion of your editing. (As you'll see in the 'When' section, waiting until later in the edit runs the risk of losing too much when you transfer your project.)
Transferring should be a one-time-only event. If you want two editors working on the same project – one in the morning and one in the afternoon – they should both use the same software.
Transferring works best when one system is used for logging and creating a rough cut, then delivered to a second editor for trimming, clean-up and effects.
Transferring will also work painlessly where one system is used to create string-outs ('selected' clips from a larger body of source files) while a second system is used to collect the string-outs and assemble them into a completed program.
NOTE: This string-out process works equally well if you have one editor selecting clips or a team of multiple editors. The key is that the files move from one system to another early in the editorial process.
This transfer process can also work well if you have an editor in the field quickly creating a rough cut, then delivering both the cut and the media back to the office either via the web or shipping a hard disk.
WHEN?
When it comes to editing, Premiere and Final Cut both achieve similar results, but they don't do it the same way. For this reason, transferring projects can either be blissfully simple, or frustratingly difficult depending upon when you make the transfer because not everything can be transferred.
In general, the following elements should transfer with few to no problems:
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- Project files
- Bins
- Media used in the selected project
- Clip positions and tracks/layers in the Timeline
- Multicam clips
- Multicam edits
- Edit points
- Dissolves
- Most markers
- Simple title text
- A limited number of audio and video effects
For best results, transfers – in either direction – should be done anytime during an edit before effects are added. This is because most effects won't transfer between systems, including:
- Text formatting
- Image resizing and positioning
- Variable clip speed changes (retiming)
- Most still frames
- Most visual effects
- Most audio effects
- Color correction and/or grading
Also, if you are using a proxy workflow in either application, the links from proxy to source files will not transfer.
Because of this, it makes the most sense to transfer from one system to another at some point during the initial rough cut.
WHAT YOU'LL NEED
You first need to export an XML file of the project you want to transfer. This means that you need to be able to open the project file in the application that created it and that all media is linked.
NOTE: It is strongly recommended that the media files are online and have identical file paths (drive names, folder structures and file names) to avoid problems with relinking media. If working between two Macs, you may need to consolidate media to an external drive and reconnect any unconnected media before exporting XML.
You will need one of two utilities, depending upon the direction you are going.
From Premiere Pro CC to Final Cut Pro X
7toX
MSRP: $9.99
AppStore link:itunes.apple.com/us/app/7tox-for-final-cut-pro/id496926258?mt=12
For more information:www.intelligentassistance.com/7tox.html
From Final Cut Pro X to Premiere Pro CC
XtoCC (formerly Xto7)
MSRP: $49.99
AppStore:itunes.apple.com/us/app/xtocc/id487899517?mt=12
For more information:www.intelligentassistance.com/xtocc.html
NOTE: XML conversion is actually a very complex process. Read the online documentation from Intelligent Assistance for the appropriate utility before transferring complex projects to better understand the limitations of this procedure.
HOW IT WORKS: PREMIERE TO FCP X
Here's my sample project in Premiere.
To create an XML file, select the sequence you want to transfer in the Project panel. (You can also select multiple clips in the Project panel in addition to the sequence itself to include in the transfer.)
Choose File > Export > Final Cut Pro XML
Give the XML file a name and location.
This error dialog always appears. This text file will tell you what did, and didn't, make the transfer. This file will be stored in the same location as the XML file and named: 'FCP Translation Results [today's date].' It is a good practice to read this before importing your project into Final Cut Pro X.
Open 7toX and either open it from this dialog, or simply drag-and-drop the XML file on the icon for the application itself.
7toX opens and processes your XML file. This process is quick, but the actual speed of the conversion depends upon the number of clips and the complexity of the source project.
7toX now offers to automatically start FCP X and import the Premiere project into FCP X.
In general, I create a new library for these transfers. However, if editors in the field are creating select lists, you can easily add these transfer to an existing library by selecting it from this Library list.
If you are creating a new Library, give it a name and location.
Here's the same project opened in Final Cut.
At which point, clean up what didn't transfer successfully, then start editing.
NOTE: Importing media using XML obeys the FCP X > Import preference setting. If you don't want media files added to a Library, set the Import panel's Files preference to Leave in place (instead of Copy to library storage location).
For clips, keywords are added to the in point/out point range representing the bins the clip or subclip was inside. Reel, Scene and Shot/Take are added to the clip's Reel, Scene and Take fields, while other log notes and comments are added to the clip's Notes field. If the clip or subclip was marked Good then the clip or range is rated as Favorite (depending on your preferences choice).
HOW IT WORKS: FCP X TO PREMIERE
The process is similar when moving from Final Cut Pro X to Premiere.
First, open the Library and select the Project or Event you want to transfer.
NOTE: Compound clips are translated as nested sequences. However, the destination app importing Final Cut Pro 7 XML may not necessarily support nested sequences, such as Adobe Audition and After Effects. You can avoid this by breaking apart compound clips in a project into their original items.
Choose File > Export XML
Give the XML file a name and location. If you are using FCP X 10.1 or later, always export using XML version 1.5 or later. Click Save.
Open Xto7 and open the XML file (or drag the XML file on top of the Xto7 application).
This dialog allows you to determine which roles get exported. In general, I recommend exporting everything, then making adjustments once you import the project into Premiere.
Specify where you want the converted XML file stored.
NOTE: The speed of conversion will depend upon the size and complexity of the original project.
Open Premiere.
NOTE: When transferring projects, I tend to create a new project in Premiere. However, you can easily import a FCP X project into an existing Premiere project. It will be treated as a stand-alone sequence.
Choose File > Import and select the converted XML file. Premiere will recognize it as an XML file and handle it accordingly.
After a few seconds, the transferred project is loaded into the Project panel.
NOTE: Always review the Translation Error report, then make any adjustments to clips that need it before beginning your edit.
IF YOU ARE MOVING BETWEEN TWO COMPUTERS
If you are moving projects between two computers, you will need to send both the converted XML file AND all the related media. The XML file only contains pointers to your media.
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This means that you need to think carefully about where to store media for any project you expect to move between systems before starting your edit.
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SUMMARY
There are substantial differences under the hood between Premiere and Final Cut. The programmers of these utilities have told me this is some of the most complex code they've ever written. Because of these differences, this transfer process works well, but doesn't convert everything. It is best used early in the editorial process, before titles and effects get added.
The other key point to keep in mind is that you must create an XML file of the project you want to transfer. Only Adobe can read a Premiere project file and only Apple can read a Final Cut project file. This means that you need to have access to Premiere or Final Cut to create the XML file in the first place.
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Finally, for best results, be sure to read the documentation from Intelligent Assistance before beginning this process to minimize problems.