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In this roundup, we've collected the top must-watch Adobe Premiere Pro video tutorials for video editors of all experience levels.
To help you get the most out of Premiere Pro, we've rounded up a list of 15 essential Premiere Pro video tutorials for video editors. From the basics of importing and capturing footage to more advanced features like multi-cam editing and Warp Stabilizer, these Premiere Pro tutorials run the gamut of a post-production workflow.
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1. Navigating the Interface
The Premiere Pro Interface is surprisingly easy to navigate, considering its impressive functionality. Here's what to expect if you're new to the program and are not quite sure where to start.
Video via Shutterstock Tutorials.
2. Importing and Organizing Clips
Step one of any video editing project is importing your media. Joe Allam shows us his process for importing footage — as well as some useful tips for organizing your recent imports.
Video via Joe Allam.
3. Basic Timeline Editing
This tutorial is an overview of the types of edits you can use; however, all the demonstrations are in Premiere Pro, and they're very easy to follow.
Video via Shutterstock Tutorials.
(Also check out '10 Premiere Pro Tips You Should Know.')
4. Three-Point Editing
The concept of three-point editing is essential editing knowledge. Basically, it's all about how your editing workflow will look in Premiere. Once you figure out a system that works for you, you can really start flying comfortably through your edits. Adobe creative cloud version numbers. It makes a world of difference when you're confident with your edit.
Video via Creative COW.
5. Keyboard Shortcuts
If you can do any one thing to increase your editing speed, it would be to add keyboard shortcuts to the mix. Typically, the more keyboard shortcuts you use, the faster and more efficiently you will edit.
Video via Learn How to Edit Stuff.
(Also check out 'J,K, and L Keys for Faster Video Editing.')
Movie Premiere Monitor Jobs Uganda
6. Using the Essential Graphics Panel
With the introduction of the Essential Graphics Panel, Adobe has streamlined the process of bringing motion graphics into Premiere (without having to move into After Effects). In this tutorial, Boone demonstrates how to get started with the panel in three easy steps!
Video via Shutterstock Tutorials.
(Also check out '6 New Features in Essential Graphics Panel.')
7. Color Grading
Want to make your video look professional? Start color correcting and grading. It's easy to not think about color correcting and grading — especially if you're shooting with something similar to Canon-level color science — but it matters. Correcting the color in your footage, and applying unique color grades, can really increase your production values.
Video via PremiumBeat.
(Also check out 'How to Easily Match Any Two Cameras.')
8. Multi-cam Editing
If you have footage from a live event — or a TV show with multiple clips — try using the multi-cam feature in Premiere. With multi-cam, users can switch between multiple video feeds in real-time, just like a TV switcher on a live production. Premiere Gal walks us through the basics of working with and managing multiple cameras in Premiere.
Video via Premiere Gal.
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9. Audio Editing
Bad audio can ruin a project. That's why it's so disappointing when filmmakers fail to correctly mix their audio in post. Our hero, Matt Johnson, shows us how to adjust various audio-related features in Premiere Pro.
Video via Matt WhoisMatt Johnson.
(Also check out 'Audio Transitions You Need to Know.')
10. Exporting Your Video
Now that your video is edited, it's time to export. If you're new to Premiere, there are many different options, and they can seem overwhelming. But have no fear — Annie is here! Annie from Shutterstock Tutorials goes over the options for exporting video out of Premiere Pro.
Video via Shutterstock Tutorials. Ms excel for mac.
11. Working with Proxies
Let's say you're dealing with (and trying to edit) large 4K files — maybe even 8K — and you need to set up an efficient workflow. Proxies will help. Whatsapp pour windows.
Video via Matt WhoisMatt Johnson.
(Also check out 'How to Create PROXIES For High Frame Rate Footage.')
12. Creating Credits
Adding rolling credits to your project with the title tool is easy in Premiere.
Video via BizVidCommunications.
13. Warp Stabilizer
I know at this point Warp Stabilizer has become a bit of a meme. But it can still save a shot and add value, regardless of its unpredictability. By adding the Warp Stabilizer to your clips, you can quickly smooth out shaky footage. (You can also use it to minimize rolling shutter.)
Video via Karl Miller.
14. Adding Markers
Markers are useful for adding notes to your clips and timeline in Premiere. This is important if you edit with a team because you can easily leave edit notes — and to-do-tasks — in the timeline.
Video via Basic Filmmaker.
15. Working with Noisy Footage and Audio
There's nothing worse than getting footage from a client, or uploading the footage you shot, only to find that some of the shots are noisy. Maybe you couldn't see your monitor well enough or it was bright outside — there are countless reasons why your image might not be what you originally envisioned.
Video via Shutterstock Tutorials.
If you're also looking to reduce noise in your audio, check out this tutorial.
Want to take your Premiere skills to the next level? Check out the Premiere section of the PremiumBeat blog. We have hundreds of articles and tutorials dedicated to helping you become a better video editor.
(This article was originally published on February 13, 2015. It has been updated to reflect changes in the industry.)
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Looking for more video tutorials? Check these out.
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Want to improve the look of your video footage? Check out this helpful primer for using the video scopes in Adobe Premiere Pro!
The Reference Monitor in Premiere Pro is a handy virtual display which can be brought out as a floating window to assist with lots of color correction tasks. In this post, we'll take a look at how to best use Premiere Pro's Reference Monitor and video scopes to improve your video editing projects.
When you choose Window > Workspace > Color Correction you get the following layout .
Color Correction Workspaces
Part of that workspace is the very helpful Premiere Pro Reference Monitor:
100 rock songs ever 320 kbps. Reference Monitor in the Color Correction Workspace
At first sight it may just seem like an additional player similar to the Program Monitor, however this little window gives you options and provides you with lots of additional information when it comes to color correction and color grading.
https://hereyfile387.weebly.com/best-of-the-bestest-bennie-k-zip.html. Reference Monitor – Closer Look
As you can see from the image above, there are less controls on the Reference Monitor than on either the Source Monitor or the Program Monitor (although you still have the + button to add more buttons should you wish to). However, the Reference Monitor has one button that is not on the Program Monitor – see it to the left of the controls.
Reference Monitor Controls
This button is the Gang to Program Monitor button and is extremely useful because it allows you to have the Reference Monitor displaying a totally different part of your timeline than what is shown in the Program Monitor. By default the Reference Monitor and the Program Monitors are ganged together, but by simply clicking this button they become independent of each other. This is ideal for when you need to do tasks such as matching the look of one piece of footage with another.
Program Monitor & Reference Monitor ‘un-ganged'
Set up like this (or even moved side by side) it is very easy to see subtle visual differences in your footage from one shot to the next. You can quickly make changes needed to avoid jarring the visual experience of your audience as they watch your 'masterpiece'.
It's important to note that you don't need to change workspaces to get access to the Premiere Pro Reference Monitor. It is possible to have the Reference Monitor as a floating window in any workspace you choose.
Reference Monitor as a Floating Window
To get the Reference Monitor up (as in the example above) simply go to Window > Reference Monitor. It will come up as a floating window that you can place anywhere in your screen space.
Menu to Get the Reference Monitor
Video Scopes in Premiere Pro
As well as being able to use the Reference Monitor to match footage, the greatest strength of this display is the ability to use a wide selection of video scopes in Premiere Pro. This will give you much more accurate information about your footage. You will get more precise info than you could ever get with your eyes!
The video scopes in Premiere Pro are accessed either from the Panel Menu or by choosing the Spanner Icon shown below.
Panel Menu
Spanner Icon Menu
Both lists are pretty much the same except for a few options extra at the top of the Panel Menu list to do specifically with panel options.
Reference Monitor Showing a Graph
While you can access scopes with the Reference Monitor, it is also worth noting that you could leave the Reference Monitor showing Composite Video (which means ‘normal video' to the rest of us). Then, display the scopes in the same way as described above but in the Program Monitor (via the Panel Menu or from the Spanner Icon). The key is, with 2 monitors, you can see both the normal video and have access to various scopes to ensure you get the best results for the production you're working on.
So, my advice is get used to using the Premiere Pro Reference Monitor – not just when you've moved to the color correction workspace but generally to get an idea of how the changes you are applying either match with other footage in your production or affect the various color and brightness elements of your footage.